ROSA TEUBL PAINTING ATELIER

         Rosa Teubl is a painter and lives in São Paulo – Brazil. Her speciality is painting Angels, Ascended Masters and Iluminated Beings. Her drawings are made in “pastel” technique, with size 30x40cm. 
        Angels and Mentors are canalized from the person’s date of birth, being an unique, original and exclusive work.
        Masters are result from researches made in many different sources, resulting in “her version” of the image. Masters are available in original paintings size 30x40 and pictures, size 20x28, 14x20 and 10x14 cm.
        Illuminated Beings and Spiritual Guides can be canalized and drawn under request.

 

TECHNIQUE

         “I prefer to use the “pastel” technique because a significant part of the work is done with the fingers, transfering all the canalized energy to the drawing. Besides, it allows the work to be started and finished in a relatively short time, without loosing the contact” says the painter. Drawing is all hand-made, without using any computer or collage technique.
        Painting starts by drawing the eye’s iris, from which occurs, between artist and the being, a very close interaction, guiding the work until the end. From this relation come the colors which are present in the angels.
        Drawing is made on Tiziano paper, size 30x40, with fixing varnish protection, allowing it to be framed or stored in plastic package.

 

MY HISTORY

        In mid-2000, I had a spiritual consultation with a person, and she said that my mission on earth was drawing Guardian Angels. I found it ridiculous, because how could I draw a Guardian Angel if I couldn’t see them? I also didn’t want people to call me nuts, and besides it, I couldn’t draw almost anything.
        At that time, I used to paint porcelain: in this kind of work, we simply follow the pattern.
        About one year later, my son, who also had consulted with her, met her in a restaurant. She didn’t immediately recognize him, but he talked to her and told her he was my son. That was when she insisted that I met her on the next day. I went to the agreed place, we talked a lot and I told her I couldn’t draw the angels, I thought it was too crazy. So she asked me to draw the Masters of the White Fraternity.
        I bought a book and some pictures of the masters, copied them in a paper and painted them. They were great; I gave them to her, who loved my job, even being a copy. She again insisted that I should draw angels. On the next day I got several angel images from great painters, copied and painted them. They were good, but looked like a piece of painted paper, without any life.
        In one of the orders of masters that she made, when I was drawing Saint Germain (master of violet light), I asked him why I couldn’t draw angels, if that was my mission on earth. On that night, I dreamed of him, and he told me that I couldn’t do it because the angel I was trying to draw didn’t have anyone to protect, meaning, it was only a copy of an angel. I woke up early, went to the easel willing to draw my angel and, without noticing, I started drawing him by the eye’s iris. In two hours he was beautiful, alive and spreading his wings, wishing to fly.
        By that time I was praying during 9 days (“Novena”) to Our Lady that I wanted to find a job, because I was going through financial problems. However I have never imagined that drawing angels were meant to be my job. I was looking for a job as a mother-driver, making preserves or anything like that, because I didn’t have a profession anymore. I wanted to do something I already knew, but Our Lady guided me to the angels, because she is the Angels’ Queen. Before finishing the Novena, I started receiving orders for angels, that today I’m not even able to handle all my orders, because there are too many.

 

MY INTERACTION WITH THE ANGELS

        My first contact with the angels is through their íris, and that’s the first thing I draw. It’s through the eyes that I receive the entire angel’s energy. I know when he is sad because the lack of pray, I know when he is happy because the one he protects wants him for good, I know if he is worried... Before I contact the angel, I prepare myself to canalize the energy.
        As I don’t see or hear them, they communicate with me through their facial expression, sending messages to the one they protect.
        There are many mischievous angels and it’s interesting how they play with me. There is also the rushed angels that hardly let me finish the drawing because they want to be given to the one they protect; others are sad, maybe because the person who ordered them doesn’t pray, there are also the very detailed ones, who want all features well-designed; some of them seem to move so much that it’s hard to canalize the features.
        For me, the drawings are alive, they move on the paper, and sensitive people can feel what I feel, at the same moment. I’m not a clairvoyant, I don’t see images, I work only with the energy. After I canalize the energy, my hand runs through the paper. For some angels it’s hard to canalize, maybe because the person who ordered them doesn’t believe in angels, so the canal remains closed for me. Sometimes it takes me days to get in contact with someone’s angel.

 

OTHER DRAWINGS

        Concerning the Masters, of course today I don’t copy them anymore, I draw them as I see them, that`s to say, through their iris they communicate their features to me. I love to draw them, they seem to take my hand and draw by theirselves.
        I also draw the Mentors the same way that I draw masters and angels, but they have a much stronger energy, and are more demanding. Angels are more delicate, funny, and their energy is lighter. Masters energy is wonderful, full of light.
       I only finish my work when the Angel, Mentor or Master approve my drawing, that is, when they look at me, they seem to give me a slight wink and an approval smile.

 

E-mail: rosateubl@uol.com.br